The Catenary Curve & Negative Space

In our drafting rooms, design begins with pure structural calculations. Before a sculpture takes aesthetic form, it must prove its stability through geometry.

By leveraging cantilevered counterweights, our works achieve dramatic overhangs that challenge human perception. A 100-kilogram sculpture may rest on a single contact point of just 4 square centimeters.

The empty air carved out by the metal—the negative void—is treated with as much reverence as the solid cast alloy itself.